KING ARTHUR

THE NEMESIS OF HISTORY AND LEGEND


BASED UPON THE TEXTS AND RESEARCH

OF

FRANK D. RENO


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The legendary King Arthur has melded with the historic “King Arthur” Lucius Artorius Castus of the second century and conflated with “Historic King Arthur” Ambrosius Aurelianus of the fifth century.


This melding of the legendary King Arthur with a historic King Arthur has caused a great deal of confusion in chronology,  in sites such as Glastonbury, Tintagel, Camelot, Badon, Camlann,  and Wroxeter, and in distorted epithets including Arthus, Arthurex, Arcturus, Merlinus, Ursus (Bear), Pendragon, UterPendragon, Utherpendragon, and Riothamus.

HISTORY

    

    King Arthur is undoubtedly the most enigmatic hero in literature. His roots are lost in the mists of time, and whenever his name is mentioned, it is commonly associated with what is now referred to as a "pseudo- history" of the twelfth century when Geoffrey of Monmouth's History of the Kings of Britain first appeared.

     Prior to the publication of Monmouth's work, the king who became known as Arthur was mentioned only incidentally in the ancient manuscripts. By the end of the first millennium, Arthur's name appears only four times in the Historia Brittonum, attributed to a copyist named Nennius. In Section 56 of that manuscript the name Arthur is mentioned three times in what has evolved into a highly controversial battle list. In a later section titled the "Mirabilia", Arthur's name appears the fourth time in relation to his dog's grave.

    Approximately a century after the penning of the Historia Brittonum, Arthur's name appears twice in the Welsh annals, known as the Annales Cambriae.  The

LEGEND


     From an Arthurian point of view, Geoffrey of Monmouth structured not only the historical feasibility of a British King Arthur of the fifth century, but opened the floodgate for a deluge of legends and romances about this great king which followed closely upon the heels of his History of the Kings of Britain.  Although Monmouth's book spans a millennium and a half beginning with the Trojan War and terminating with the Saxon domination of Britain, nearly sixty percent of the text deals with Arthurian matter.  As a twelfth-century writer, he had at his disposal books of a historical nature by Gildas Badonicus, Bede, Nennius and perhaps the Tysilio.

     Henry of Huntingdon, who was made archdeacon in the first decade of the 1100s, traveled to Rome in 1139, approximately three years after the release of Monmouth's book.  While there, he met a Norman historian named Robert de Torigny who gave him a copy of the history, which Henry came to view as

entry for the year 516 records Arthur's battle at Badon, and the entry for the year 537 records Arthur's fatal battle at Camlann.  Neither of those two manuscripts 

uses the title "king" for Arthur, but the Historia Brittonum refers to him as "Dux Bellorum." Both suggest, however, a "real King Arthur," or a "factual King Arthur."

     Following the three manuscripts mentioned above, Chretien de Troyes penned his works shortly after the appearance of Monmouth's "Arthur of Britain". After the appearance of Chretien's romances, the floodgates opened, spawning translations and speculations from Wace, Layamon, Robert de Boron, Henry of Huntingdon, William of Newburgh, Giraldus Cambrensis, Ralph of Coggeshall, Ranulf Higdon, and John of Glastonbury,culminating in the definitive Morte d'Arthur by Thomas Malory.

     Most avid enthusiasts of this great King Arthur are anything but neutral about his origins, and just about every one of those enthusiasts--if they believe in a historical King Arthur with an authentic ancestry--has developed a theory about his roots, just as everyone who debunks his historicity builds a case of skepticism. The quest to verify Arthur's reality is not based upon rigid scientific investigation. Anything postulated about King Arthur's historicity is for the most part established by circumstantial evidence. Those who expect systematic evidence based upon hard and unshakeable truths may express disdain toward the great amount of circumstantial substantiation which can be amassed, but our system of jurisprudence is living proof that circumstantial evidence can be used to build convincing cases.

     Whatever an individual's stance, it is obvious that King Arthur remains at the forefront of popularity, evidenced by Jerry Bruckheimer's latest movie, three "documentaries" created within the last two years, and the prolific literary material still pouring from the publishing companies.  Any attempt to anchor King Arthur's historicity in the fifth century is blocked by ponderous minutiae--the complex jumble of languages, the surviving recensions of a perplexing millennium, the confusion of epithets versus proper names, and the unfortunate interpolations tainting so many

documents. It is not an arena for the faint of heart.

based totally on fact.  On the other hand, William of Newburgh (and later Ranulf Higden) sharply criticized Monmouth's so-called history of King Arthur; in

Newburgh's Preface of Historia Rerum Anglicarum (History of English Affairs), he castigates Monmouth's sections about King Arthur and Merlin.  Those who supported William's viewpoint "vehemently denounced Geoffrey's motives," "severely criticized his fabrications," and labeled the pseudo-historian (Monmouth) as being "an impudent and shameless liar."

     Prior to Chrétien de Troyes’ prodigious outpouring of Arthurian romances--Erec and Enide, Cligés, Lancelot, Yvain, and Perceval--Wace, a Norman, wrote Roman de Brut,  which he himself claimed he completed in 1155.  Although his manuscript closely follows Monmouth's History, he wasn't really a translator but more of a paraphraser who wrote in the style of a poetic romance.  Thomas d'Angleterre, also contemporary of Chretien, wrote the legend of Tristan in Old French verse which is variously dated from ca. 1150 to 1200, probably around 1175.  Béroul, Robert de Boron (Graal, Merlin, and Perceval) Layamon, Gottfried von Strassburg (Tristan), Hartmann von Aue, Wolfram von Eschenbach (Parzival), and Heinrich von Freiberg followed in quick succession with their romances. 

     Even now, nine centuries later, Monmouth's book is still tagged as "pseudo-history, " posing a millennial question: "Did the historic King Arthur give rise to all the legends which succeeded him, or were legends and folklore molded to give credence to such a Cultural Hero?"  There are so many caveats, pro and con, that they would fill several thick volumes, yet never satisfactorily resolve the issue.

     Nevertheless, there are indisputable parameters:  the figure of King Arthur is Briton, specifically Welsh; his historicity is entrenched in the fifth century; and many of his legendary characteristics and relics are borrowed from very ancient tales.

     This website examines the link between Arthurian history and legend.

HISTORICAL ALLUSIONS

to

ARTHUR OF BRITAIN

     The genesis of a  historic King Arthur in Britain precedes Geoffrey of Monmouth’s “Arthur of Britain” by nine and a half centuries.  Researched thoroughly by C. Scott Littleton and Linda Malcor, there is overwhelming evidence that a Roman commander named Lucius Artorius Castus was deployed to Britain near the end of the second century with 5,500 Sarmatian cavalry posted in garrisons along Hadrian’s Wall.  Undoubtedly, the name Arthur is a cognate of Artorius;  he was not a king, but held the important position equivalent to a dux.

    The name “Arthur” does not reappear in British history until the bard Aneirin, at the beginning of the seventh century, wrote a lament about a fierce battle in which a northern British chieftain named  Gwarwrddur “glutted black ravens on the ramparts, but he was no Arthur", a poetic style meaning that the Celtic chieftain killed many enemies, but he was not as distinguished as Arthur. That terse reference to Arthur has corrupted British history for over a millennium.

     Gildas of the sixth century, and Bede of the eighth century make make no mention of a British King Arthur, nor of a historic Arthur of the fifth century.  It is Nennius--a copyist of British history  of the ninth century--who finally records the name of Arthur and a list of Arthur’s twelve battles.  The pervasive tragedy is that Nennius sets Arthur in the fifth century, fighting against the invading Saxons.  And even more catastrophic, Geoffrey of Monmouth in the twelfth century accepted Nennius’s material as authentic history, and created--inadvertently or perhaps intentionally--a monumental distortion of a historic King Arthur set in the fifth century.

     Monmouth’s genealogical errors  must be rectified.  He not only conflated Artorius Castus of the second century with a bonafide king of the fifth century named Ambrosius Aurelianus, but also relegated Ambrosius to a minor role.    Arthur likewise had no father named Utherpendragon or a grandfather named Constantine who was a “king of Britain;” no doubt Constantine the Usurper was conflated with Constantius III of that era.  Emending those misconceptions, there is no historic King Arthur of the fifth century, nor does history record the name of Utherpendragon as Ambrosius’s brother.  Ambrosius Aurelianus, son of   Constantius III, must be recognized as the “great king of all the kings of Britain,” as recorded in the Historia Brittonum.

LEGENDARY ACCRETIONS

attached to

KING ARTHUR OF BRITAIN

     Based upon a horrendously distorted genealogy for King Arthur and his alleged uncle  Aurelius Ambrosius, Monmouth constructed a detailed segment titled “Arthur of Britain.  Once that genealogy is modified, Ambrosius can be elevated to his proper  role during the fifth century.

      The romances which followed Monmouth’s History adorned King Arthur with folklore which originated in the centuries before Christ, and carried through to Thomas Malory’s prodigious work, Le Morte D’Arthur.

     The primary figure manufactured by Geoffrey of Monmouth is Merlin.  At one particular point, Monmouth refers to Aurelius Ambrosius as Ambrosius Merlinus.  Shortly thereafter, Monmouth interrupts his segment titled “The House of Constantine” and inserts a totally unrelated section, “The Prophecies of Merlin,” and his narrative thereafter includes Merlin as a character who is only incidentally associated with Aurelius Ambrosius, but is more closely aligned with Utherpendragon.  In Monmouth’s manuscript, Merlin and Arthur are not bonded.

     Lancelot is another major character who might not have roots in Celtic lore.  There is nothing decipherably historical about this individual; he is not included in Monmouth’s text, and isn’t recorded in Arthuriana until the advent of Chretien de Troyes.  Roger Loomis avers that the name Lancelot is specifically Welsh, an offshoot of Lug or Lugh.  More recently, however, Dr. Linda Malcor theorizes that, like Arthur and Batraz, the name Lancelot has roots not in Celtic lore, but in Alan legend.

     Guinevere’s origin is also enigmatic, especially because legend depicts her as having a “twin,” her opposite commonly referred to as the “False Guinevere.” Translator Lewis Thorpe uses the name Guinevere as Arthur’s queen, but acknowledges that Monmouth’s assignation was Ganhumare (Guehuuram, Ganhumaram, Ganhumere)  The Tysilio gives the Queen’s name as Gwenhwyfar.

     From the time of Chretien de Troyes in the twelfth century to Thomas Malory in the fifteenth, there was such a plethora of legendary figures that it would be a formidable task to give details of each.  For the most part, attempting to identify sites as actual or fictional is a futile undertaking; the blending of legend and history have blurred the boundaries.


HISTORIC DATA


AETIUS                    


   ÆTERNUS>VORTIGERN


    AMBROSIUS AURELIANUS       


    ANCIENT MANUSCRIPTS>NEW PERSPECTIVES

              

    ANGLO-SAXON CHRONICLE>PREFACE


    HISTORIC LINKS TO KING ARTHUR

             

KING ARTHUR’S BATTLE ON BADON HILL (BATH)      


    KING ARTHUR’S BATTLE ON BADON HILL (WROXETER)      \


    BIBLIOGRAPHY


    THE STRIFE AT CAMLANN   


    CERDIC: INTERPRETER-SON-KING


CONSTANTIUS III: THE PENDRAGON

DYNASTY

                                                                         

    VORTIMER: CUNEDDA’S EPITHET   


    EPITHETS vs PROPER NAMES   


    GILDAS BADONICUS-ALBANIUS   


    GUITHELINUS-CYHELIN-VITALINUS


    RIOTHAMUS-AMBROSIUS AURELIANUS’S EPITHET


    WALLS OF BRITAIN   


Statue sculpted by Carol M. Nelson

Height - two feet

Red Rocks Terra Cotta

3 - 30 - 03


 


LEGENDARY DATA


HISTORIC KING ARTHUR


    ARTHURIAN HENGES   


    ARTUFACTS (ARTHUR’S POSSESSIONS)


    BRITTANY   


    KING ARTHUR’S CAMELOT   


    GLASTONBURY-KING ARTHUR’S AVALON


   PENDRAGON (CONSTANTIUS III)


    KING ARTHUR’S ROUND TABLE       


    TINTAGEL-KING ARTHUR’S BIRTHPLACE                


   UTER PENDRAGON (SON  OF PENDRAGON)

                                                                                                   

    VORTIMER (See Cunedda first)


NOVEL

Ambrosius Aurelianus:Legacy of the Phoenix King


  PREFACE

   OVERVIEW: Search for King Arthur

    PROLEGOMENON    

    SETTINGS

    EPITHETS

    CHRONOLOGY

    MAJOR HISTORICAL CHARACTERS

    SEMIFICTIONAL CHARACTERS

    GLOSSARY


   




The Historic King Arthur focuses upon laying the foundation for authenticating a historic Arthur of Britain.  Of twelve chapters, the first eight--about two-thirds of the book-- create the under- pinnings for the hypothesis that an Arthur--Lucius Artorius Castus--was an authentic figure whose origin is tied to the end of the second century, and whose name was conflated with a British king named Ambrosius Aurelianus of the fifth century.



The title of this book is misleading, since in actuality scholars rightly claim that there was no Arthurian era in the fifth century. The content of the second book is more accurately described by the original working title, Ambrosius Aurelianus: Allies and Adversaries.  Leon Fleuroit and E.K. Chambers, among others, indicate that Ambrosius Aurelianus is a doublet of Riothamus; hence Chambers senses that Arthur and Ambrosius are scribally corrupted names.

Chapter One is an eight-page introduction which explains the confusion between the “historic King Arthur (that is, Ambrosius Aurelianus) of the fifth century and the legends which sprang up about him in the late twelfth century.  Since then, a proliferation of stories has enticed readers into the 21st century, and there’s no end in sight.  The lure of Arthurian tales seems to be boundless, and one of the intriguiging aspects about this famous king is that a substantial case can be built which supports that these literary portrayals can be traced to two historical individuals.  Though the early sources are scanty, a clear composite panorama of historical happenings and the people who shaped those events emerge, so that as an end result, the mists of time enveloping Lucius Artorius Castus and Ambrosius Aurelanius are slowly disolving to reveal that these individuals were more than just fictional heroes.

       Chapter Two discusses four major ancient Engish manuscripts used to unveil the historic era of “King Arthur.”  Although the De Excidio doesn’t even use the term ‘Arthur,’ it provides a crucial clue to the chronology of Ambrosius Aurelanius.  The Annales Cambriae offers chronological clues about two of his historic battles, but it is basically The Historia Brittonium which gives a clearer picture of Ambrosius’s role in history.  The Anglo Saxon Chronical and its genealogical preface provide information about Arthur’s enemies.

        Chapter Three introduces systems of chronological calibrations and then meticulously established Cardinal and Ordinal years for Ambrosius’s chronology.  Establishing a chronology is a difficult hurdle to overcome because in ancient history there was no singular method used to calibrate time.

        Chapter Four gives an overview of hillforts and Roman roads in Britain, including some istory of the Roman occupation of the island and how the vestigial remnants of that civilization impacted the so-called Arthurian age in the fifth century.

       Chapters Five through Eight deal with geographic locations embedded in “King Arthur’s History” and legend, particularly his battle at Mount Badon in which he defeats his Anglian enemies, and the several locales in Britain which claim to be Camelot, the most common one being South Cadbury.  His birthplace, too, remains a mystery, but Tintagel in Cornwall normally claims that honor.  And the mysterious Isle of Avalon is his resting place.

        It isn’t until Chapter Nine that the quest centers upon the figure of Ambrosius Aurelianus.  The name Arthur--not necessarily King Arthur--is no doubt linked to Lucius Artorius Castus of the second century, but the proposition in this book views the terms “Arthur,” or “King Arthur,” or “Arthur of Britain,” as epithets for Ambrosius Aurelianus, the only figure of prominence in insular history of that era.

        Chapter Ten explores Ambrosius’s sojourn on the contient under the title of Riothamus, the Great King from across Ocean.  Very little is known about Riothamus except he came from Britain to allay himself with the Romans against the Saxons, and lost a major battle against Euric the Visigoth.

        Because legends and literary material contain nuggets of history, Chapters Eleven and Twelve explore some offerings of Welsh tales and Geoffrey of Monmouth’s History of the Kings of Britain to round out the image of “King Arthur,” a hero who has reached the heights of a mythic god.

       

        An incidental value of The Historic King Arthur is its unraveling of a great deal chronological complication of Arthuriana from a hodge-podge of sources which heretofore had not been done.  Additionally, one of the innovative end-products is a one-hundred year history of the so-called Dark Ages, accurate even with the exclusion of Arthurian detail.  The major contributions of this book in these respects are:


  I.  Emendations in the Annles Cambriae--not only of the Arthurian

      19-year lunar adaptations for entries 516 and 537 to 497 and 518,

       but a later insertion for Saint David’s birth-year which was

       erroneously transposed from 543 to 453, meaning his lifespan is

       a more realistic fifty years instead of 140 years;

  II.  Emendations of misleading headings in the Historia Brittonum,

       including

        A.  the KENTISH CHRONICLE, PART 1, which mistakenly lists

              Hengist and Horsa as Saxon leaders for Saxon Adventus

              and incorrectly infers that they are actually Kentish Saxons;

        B.  the KENTISH CHRONICLE, PART 2, and its confusion of

              geographic locales, namely

              1. Tanet is misconstrued as Thanet, and its locale is set at

                  the mouth of the Thames River rather than in the north-

                  eastern part of Wales;

              2. “insula Oghgul” is incorrectly translated as “Angeln,”

                   leading readers to believe that Hengist consults his

                   council of elders from Anglia rather than Vortigern’s

                   council of elders (the expelled Dessi tribe) from Ireland;

              3.  (Guoyrancgono) Gwyrangon is listed as the displaced

                    Kentish king, but his name is obviously Welsh;

              4.  Octha is sent to the north, near the wall called Guaul,

                   wrongly assumed to be near Hadrian’s Wall instead of

                   Wall-by-Lichfield (Caer Luit Coyt);

               5.  Hengist’s tribe migrates to the “regionem Cantorum,” a

                    reference to the region of Cantlop or the River Caint in

                    Wales, three miles south of River Tanat, not the Kingdom  

                     of Kent;

       C.  the KENTISH CHRONICLE, PART 3, and its erroneous

            connection with the southeast through references to

            1.  One of Vortimer’s battles against the Saxones at Darenth

                 instead of Darwent or Darwen in northern Wales;

            2.  Another by the Inscribed Stone (Oghams which are Irish

                 and nowhere near Kent) near the Gallic Sea (Gallici maris)

                 rather than near the Gaelic Sea;

        D.  The introduction to the CAMPAIGNS OF ARTHUR, which

             should read that Octha came down from the north after

             Horsa’s death, not after Hengist’s death.

III.  Emendations in the Anglo-Saxon Chronicle for the entries of

         A.  465, 473, 477, 485, 495 and 508, in which distinctions should

               be made between the Welsh and the Britons and between

               Cerdicesora and Ceredicesford;

          B.  Hengist’s death and Octha’s sole succession in 473;

          C.  Octha’s 24-year reign beginning in 473 instead of 488;

          D.  Octha’s death in 497;

IV.  And, most important, a reconcillation of dates between The

       Anglo-Saxon Chronicle and its Genealogical Preface, a

       discrepancy first noted by Plummer in 1898 and deemed

       “impossible to harmonize.”

The Prologue explains that this book, like The Historic King Arthur, uses the same four manuscript to trace the figures of ancient history associated with Ambrosius Aurelianus, thus lifting “King Arthur” out of the legendary realm and placing him where he was erroneously ensconced as the King Arthur of 470 - 475.  Ambrosius’s allies and adversaries are unquestionable historical figures, deemed so by the vast majority of researchers. 

    In Chapter One, the De Excidio mentions a historic person by title--the superbus tyrannus--but doesn’t give a proper name for him.  Centuries later, Bede assumes that this epithet refers to Vortigern, but the theory of this book is that the actualy historic figure is Valentinian III, whose floruit and rise to power exactly matches that of Vortigern.  Nennius, the alleged author of the Historia Brittonum, unknowingly mixes history and legend.  It is a foregone conclusion that there was no King Arthur during this era.  Ambrosius’s father is correctly cited as a Roman consulibus, and Ambrosius is properly linked to Guithelinus (Vitalinus).  For others in the list who have vital roles, names must be changed from Arthur to Ambrosius:  Ambrosian history, Ambrosius’s father, Ambrosius’s guardian, one of Ambrosius’s allies known as Cunedda (a Welsh prince), and several of Ambrosius’s enemies such as Hengist, Octha, and Cerdic.

        Also in Chapter One, The Historia Brittonum has to be modified because no “King Arthur” battles took place in the fifth century with the exception of two--Badon and Camlann--most of the others are probably attributed to Lucius Artorius Castus of the second century.  Additionally, Hengist, Octha, Horsa, Vortigern, Vortimer, and several others were not associated with Artorius Castus or the second century.

        Chapter Two examines Geoffrey of Monmouth’s material much more closely and explores the possibility that his mysterious source, the enigmatic ‘very ancient book,’ might indeed be a reference to the compiled Welsh chronicles which include the Tysilio.

        Chapter Three reinforces the theoretical core of Book 1, that Riothamus and Arthur are words expressing titles of ‘Great’ and

‘High King’ for the historical figure of Ambrosius Aurelanius.  To carry on the theory of this premise, this second book continues to use the term Ambrosius Aurelanius (Monmouth’s Aurelius Ambrosius) as a proper name.

        Chapters Four and Five examine Valentinian III as the superbus tyrannus mentioned in the De Exidio: Constantius III as the Roman consulibus who is Ambrosius’s father; Vortigern as Æternus, the son of Paternus who becomes an overlord after the Roman abandonment of the island; Vortimer as Cunedda Æternus’s son and a Welsh tribal hero; Guithelinus as the guardian for Ambrosius when Constantius is recalled to the continent; Cunedda’s progeny--namely Cerdic--who becomes Ambrosius’s enemy; and Hengist’s tribe, the Angles who banned together with Cerdic to try to seize the Cornovii territory.

        Chapter Six elaborates upon Cunedda’s role in the Briton civil wars on the island in the fifth century.  He is a pivotal figure of history who migrated from the Manau Gododdin to Wales with his eight sons.

       Chapter Seven is the obverse side of Chapter 6; Cunedda’s son Cerdic treasonously rebels against his father, joining his grand-father Vortigern who supports the Anglians.  In league with Hengist’s son Octha, the duo become Ambrosius’s formidable adversaries.

        Linking history with Maginogion lore, Culhwch reveals that his mother is the daughter of Amlawdd, which, according to the Tysilio, identifies Arthur and Culhwch as first cousins.  Culhwch has a purple mantle with a red-gold apple in each corner, which is the same style of mantle described for Arthur in “The Dream of Rhonabwy.”  In historical terms this signifies two things: according to Gildas Badonicus, purple is a royal color and--substituting the name Arthur with Ambrosius--the cousins are of Roman heritage.

        Chapters Eight and Nine speculate on the geographic possibilities of King Arthur’s battles against the Angles.  This kind of speculation has been frequently done in the past, but the innovation is that history deals with Angles as a more specific group than the Roman Saxones and explores the connection between the Angles and those Britons who abandoned Arthur’s cause and became allies with the enemy.  In most instances, the sites could suggest a milieu for Lucius Artorius Castus in the northwest or at Hadrian’s Wall, but whether attributable to Lucius Artorius Castus or to Ambrosius Aurelanius the incursions would not be by the German Saxones from the south or across the Channel.

        The Epilogue which is 33 pages long is set up to read more like a standard narrative history, unemcumbered by detailed footnotes or references.

        Curious as to why the historic King Arthur is so endowed with ubiquitous fame which has endured for so many centuries, people commonly ask, “Why Arthur?”  The inquiry is ironic--seemingly simple but deceptively and profoundly complex.  Indeed, why, among all of the ancient leaders in the early medieval period, did King Arthur, above all others, achieve such stature and lasting fame particularly since his authenticity has remained so concealed over the last l,500 years?  A simple answer can match the question:  “Because Arthur is Celtic,” a response equally as laden with complexities.  King Arthur is not a figment of the imagination; that is, he is not simply the outgrowth of a mythological explanation.  He is every bit as real as Julius Caesar, Hannibal, and Alexander.

        Unfortunately King Arthur’s identity was lost because of the silence of the Dark Ages.  He has been buried under layers of epithets, homologs, and titles for literary thousands of years, but Arthur’s appeal has persisted during those centuries.  Little by little, truths about his authenticity are being discovered.  As pieces of the puzzle are put together and misinformation is disregarded, his image becomes more distinctive, making it more and more evident that the figure behind the facade of legends is the impelling force which makes the tales so great.

        At this time, archaeological discoveries have contributed as much to the understanding of a historic Arthur because of the redefinition of the ancient manuscripts.  Sir Mortimer Wheeler, A.A.R. Ralegh Radford, and Philip Rahtz, in addition to Leslie Alcock, must be recognized.  Special appreciation is likewise extended to translators such as Patrick Ford, Michael Winterbottom, Charles Plummer, G. N. Garmonsway, Lewis Thorpe, Josephus Stevenson, and Jeffrey Gantz for their commitment to accuracy.

        However, neither this book nor The Historic King Arthur, nor other texts should mark a definitive end of the quest for the historic “King Arthur” of the fifth century.  As public or private collections are studied, an even clearer picture will reveal the reality of Lucius Artorius Castus as “King” Arthur, and Ambrosius Aurelanius as a Briton/Celtic king.

For queries or further information, contact

arthurex@comcast.net

Site text and starred(*) photos copyright Frank D. Reno

“Walls of Britain” updated 2006

Ambrosius Aurelianus article inserted May, 2007

Website reconfigured December, 2007


No part of this website, including extracts, photos, designated maps and

drawings may be reproduced or transmitted in any form without the

express permission of

Frank D. Reno




<KingArthurA-Z .com> gives an excellent overview from the alleged historic “King Arthur” in the second century, to the conflated “King Arthur” bearing the name of Ambrosius Aurelianus in the fifth century, and onward to the legendary King Arthur memorialized by Sir Thomas Malory’s Morte D’Arthur in the sixteenth century.


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